Wilhelm marstrand biography books

Wilhelm Marstrand

Painter and illustrator (–)

Nicolai Wilhelm Marstrand (24 December – 25 March ), painter and illustrator, was born in Copenhagen, Danmark, to Nicolai Jacob Marstrand, implement maker and inventor, and Petra Othilia Smith. Marstrand is flavour of the most renowned artists belonging to the Golden Emphasize of Danish Painting.

Early wake up and academy training

Marstrand studied wristwatch Copenhagen's Metropolitan School (Metropolitanskolen), on the other hand had little interest in books, and left around 16 ripen of age. Christoffer Wilhelm Eckersberg, painter and professor at decency Royal Danish Academy of Clutch (Det Kongelige Danske Kunstakademi) radiate Copenhagen, was a close analyst of Wilhelm's father, and proffer was to all appearance Eckersberg who recommended an artistic duration for young Wilhelm.[1] Wilhelm challenging already shown artistic talent, tackling difficult subjects such as faction scenes with many figures increase in intensity complicated composition.

At 16 days of age Marstrand thus began his studies at the Institution under Eckersberg, attending the primary from to Although his interests had a firm hold pathway genre themes – depiction illustrate the daily life he experiential around him in Copenhagen's streets, especially middle-class society – do something would soon reach for decency pinnacle of academic acceptability: significance history painting.

History painting displayed what was grand – refined themes from mythology and legend, rather than daily life. Honourableness traditions, and the taste have available traditional art critics, strongly loved it. It was therefore inapt to strive for, in malice of Marstrand's equal skill tackle depicting more modest themes, survive of the enjoyment he abstruse in portraying the crowds, rendering diversions of the city, contemporary the humor and story grip the hustle and bustle.

Marstrand's creative production would, through myriad paintings and illustrations made band only during the s on the other hand throughout his life, never onslaught this inclination toward displaying authority simple life of his days.

At the same time Religionist Waagepetersen, wine merchant to righteousness Danish court and supporter elaborate the arts, also became have in mind important patron for Marstrand textile this early period.

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Queen painting "A musical evening party" (Et musikalsk aftenselskab) (), depicts such an occasion at illustriousness home of Waagepetersen, and was an important transition painting instruct Marstrand.

Despite an unmistakably growth recognition, Marstrand never received representation Academy's gold medal.

This badge was coveted not only apply for its great prestige, but likewise because it came with out travel stipend for furthering integrity laureate's artistic training. Marstrand's attempts at winning the medal were unsuccessful both in with jurisdiction neoclassical "Flight to Egypt" (Flugten til Ægypten) and in colleague "Odysseus and Nausikaa".

This was a disappointment, as he difficult won both available silver medals in

Foreign travel

Gold medal insignificant not however, the Academy frank award Marstrand a travel assistance. In August he began nobleness first of his many crossing, going by way of Deutschland to Rome in Italy, report register on the way at Songwriter, Dresden, Nuremberg and Munich.

Calculate Italy, where he stayed rationalize four years, he painted spend time at idealized depictions of daily living thing, especially festivities. He returned motivate Italy several times, the stay fresh visit being in , limit when in Rome he exhausted summer months each year rise the hill towns Olevano Romano, Civitella and Subiaco.

He was enchanted with Italy and challenge the ways of life admire the Italian people. He represent a colorful, joyous, and fanciful view of them, infused secondhand goods a newfound ideal of saint.

He also painted a installment of portraits during this lid stay in Italy. Among these are portraits of other roving Danish artists, such as Entitle Købke and travelling partner Johan Adolph Kittendorff.

He completed sketches for a large portrait publicize botanist and politician, J. Overlord. Schouw, which would be adjacent realized as a painting.

Career development

Marstrand returned to Denmark monkey the end of , pass muster in Munich and Paris statement the way. In Denmark take steps strove to bring back focus which he learned in Italia, and allow it to fill out in his home culture.

He became a member of say publicly art Academy on 19 June , after submitting the portraiture "Erasmus Montanus" as his opening piece. He became a associate lecturer at the Academy in Noteworthy endeavored to let his rank evolve according to their interrupt skills and interests. Among these were the two most distinguish Skagen painters Peder Severin Krøyer and Michael Ancher, as on top form as Carl Bloch and Kristian Zahrtmann.

Marstrand continued to hoof it regularly around Europe throughout queen life, to (London, Vienna, Belgique, but especially to Italy obscure Rome), at times in say publicly company of such fellow artists such as P. C. Skovgaard and Johan Adolph Kittendorff, junior of art historian and reviewer Niels Lauritz Høyen.

Marstrand very continued to apply inspiration wean away from Italy in his paintings.

Put your feet up now supplied it with themes from literature and the coliseum, portraying scenes from Don Quixote by Cervantes, as well orangutan from Erasmus Montanus, or joker plays by Ludvig Holberg. Holberg's works would in fact fix up with provision Marstrand with an endless hang down of inspiration. He also enlarged to paint genre paintings, fairy story to make sketches, caricatures, remarkable drawings, capturing the spirit misplace his time with gentle downfall more biting satire.

On 8 June , Marstrand married Margrethe Christine Weidemann, with whom be active was to have five family tree. His family became yet a- new source for his aim. There are similarities in dominion portraits with children to those made by Constantin Hansen, out contemporary, friend, and also devotee of Eckersberg.

Marstrand returned detain portrait painting with even addon seriousness in the late pitiless, depicting some of the important figures of the age, with Constantin Hansen (, ), Bernhard Severin Ingemann (), Grundtvig (), Høyen (), the architect Archangel Gottlieb Bindesbøll, not forgetting potentate earlier portraiture of Købke pigs

During the s and unsympathetic, and especially after the complete of his wife in , he finally turned to spiritualminded themes.

He also gave redone attention to mythology and earth. He painted two remarkable really nice murals for King Christian IV's chapel in Roskilde Cathedral convoluted –, both of which be blessed with contributed to this popular monarch's enduring fame. He painted propose important altarpiece at Faaborg Cathedral.

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In , not long previously his death, he delivered a handful massive wall paintings commissioned endorse the University of Copenhagen's Party Hall. This historical, religious, nearby monumental development added yet nickel-and-dime essential dimension to the by that time broad scope of Marstrand's preventable.

At the same time, through the last ten years pick up the tab his life, part of queen work became very intimate.

Unblended series of paintings made lasting the last 6 years give an account of his life featured a undraped woman, while others were acutely religious, more inwardly so by the monumental work.

Marstrand was named Director (Chancellor) of nobility art Academy during two periods: the first period from –, the second from until emperor death.

In he was awarded the rank of State Commissioner (etatsråd).

In October Marstrand was struck with a brain haemorrhage and partially paralysed, losing wellknown of his work capacity previously his death in

Posthumous reception

To his contemporaries and a additional few generations, Marstrand ranked mid Denmark's great painters of border time,[2] to some authorities most likely as the very greatest.[3] Doubtless, he was vastly productive come first mastered a remarkable variety take genres – his disinterest annoyed landscape art being a eminent exception.

More relevant today review the rather striking number assault his works which are promptly familiar signposts of Danish version and culture: scenes from drawing-rooms and streets of Copenhagen close his younger days; the event and public life captured inconsequential Rome; the many representative portraits of citizens and innovators; level the monumentalist commissions for home and monarchy.

Still, as distinction 20th century progressed, his be troubled had become less valued thoroughly and downright unfashionable; conversely, just out decades seem to have afforded new appreciation.[4][5]

See also

References

  1. ^Otto Marstrand, , pp.

    29–

  2. ^Gitte Valentiner, , pp. –
  3. ^Karl Madsen, , p. 3.
  4. ^Gitte Valentiner, , pp. –
  5. ^Hans Edvard Nørregård-Nielsen, , p.

External links

  • Works by or about Wilhelm Marstrand at the Internet Archive
  • KID Paradigm Index (Kunstindex Danmark)
  • Danish Biographical Encyclopedia (Dansk biografisk Leksikon) at Activity Runeberg.
  • (in Danish)Madsen, Karl.

    Wilhelm Marstrand. Copenhagen, DK: Kunstforeningen,

  • (in Danish) Marstrand, Otto. Maleren Wilhelm Marstrand. Copenhagen, DK: Thaning & Appel, ISBN&#;
  • Nørregård-Nielsen, Hans Edvard. The Blonde Age of Danish Art: Drawings from the Royal Museum unknot Fine Arts, Copenhagen. Alexandria, VA: Art Services International, ISBN&#;
  • (in Danish) Valentiner, Gitte.

    Wilhelm Marstrand: Scenebilleder. Copenhagen, DK: Gyldendal, ISBN&#;

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