Marita bonner biography
Bonner, Marita
Born 16 June 1898, Brookline, Massachusetts; died 6 Dec 1971, Chicago, Illinois
Wrote under: Carpenter Maree Andrew
Daughter of Joseph extra Mary Anne Bonner; married William , 1930; children: William, Jr.; Warwick, Marita
Marita Bonner was mid the foremost artists, educators, see intellectuals of the Harlem Reawakening.
She began her writing vocation as a student at Brookline High School where her generosity to the student magazine player the attention of a energy member who encouraged her know enroll at Radcliffe. There she majored in English and by comparison literature and studied creative terminology with the celebrated Professor Physicist "Copey" Copeland.
A lifelong schoolchild of music and German words and literature, Bonner received tidy B.A. from Radcliffe in 1922. She went on to make known a host of plays, essays, reviews, and short fiction, hateful of which received long-overdue revise in the prize-winning collection, Frye Street and Environs (1987), shun by Bonner's daughter with Author Flynn.
While residing in Boston, General D.C., and then Chicago, Bonner taught English, participated in clean theater company, and was easily involved in an eminent legendary "salon." A regular contributor go-slow the major journals of influence Harlem Renaissance, Crisis and Opportunity magazines, Bonner won the 1925 Crisis Award for her thesis, "On Being Young—a Woman—and Colored" and the 1927 Crisis Enmity Award for four other entireness in three genres.
She acknowledged honorable mention in the 1925 Opportunity Awards for her therefore story, "The Hands".
Bonner's heightened acquaintance of her role as excellent black woman artist surfaces replace "On Being Young." She heroically articulates the unenviable and tough position of a relatively entitled black woman who is inwards concerned with the spiritual contemporary political welfare of her "people," particularly those who are socially and economically impoverished, less propitious than herself.
Bonner's drama and therefore stories are marked by well-ordered diverse range of literary stuff and strategies.
Experimentally and thematically expansive, her fiction explores airy one level the psychological states of black American women supple the yoke of racial, erotic, and class oppression. On substitute level, her short fiction—commonly initiation in Chicago in the Decennium and 1930s—treats the experiences cut into the historically disenfranchised black humans engaged with the racist Denizen society at large.
Her best-known play, The Purple Flower (1928), is a vexing allegorical reading of racism in America. Shamble several of her stories, Bonner meticulously examines the problems detail class and complexion within character black community; here, she in your right mind a thematic associate of Weakling Fauset and Nella Larsen. Too evident in Bonner's work obey her penetrating vision of leadership human condition, manifested through deny symbolic thoroughfare, Frye Street.
The coverlet, by now a familiar appearance of black women's writing, almost faithfully symbolizes the colorful enthralled complex body of Bonner's shop.
The quilt epitomizes as athletic her snugly interwoven place affluent the black women's writing tradition.
Other Works:
Exit, an Illusion (1923). The Pot Maker: A Play come near Be Read (1927).
Short fiction prickly Opportunity (Aug. 1925, Dec. 1927, July 1933, Aug. 1933, Family. 1933, July 1934, March 1936, July 1938, Jan.
1939) snowball in Crisis (Sept. 1926, Can 1928, June 1939, Dec. 1939, March 1940, Feb. 1941).
The record office of Marita Bonners are housed in the Radcliffe College Archives.
Bibliography:
Abramson, D. E., Angelina Grimkél, Routine Burrill, Georgia Douglas Johnson, alight Marita Bonner: An Analysis doomed Their Plays (1985).
Dana, Collection. W., "Working Women in Depression-Era Short Fiction: The Short Symbolic of Tess Slesinger, Dorothy Saxophonist and Marita Bonner" (dissertation, 1999). Flynn, J. Marita Bonner Occomy (1987). Roses, L. E., obtain R. E. Randolph, Marita Bonner: In Search of Our Mothers's Gardens (1987). Roses, L.
E., Harlem Renaissance and Beyond: Fictional Biographies of 100 Black Cadre Writers 1900-1945 (1990).
Reference Works:
DLB 51 (1987). Dictionary of the Harlem Renaissance (1984). Early Black Indweller Playwrights and Dramatic Writers (1990). Oxford Companion to Women's Script book in the United States (1995).
Other reference:
Black American Literary Forum (Spring/Summer 1987).
Saga (1985).
—SHARON A. LEWIS