Nagae shigekazu biography of abraham

長江重和Shigekazu
NagaeShigekazu
Nagae

Biography

Exhibitions

Selected Exhibitions

  • 1998

    Yufuku, Tokyo (’99, ’08, ’10, ’12, ’15)

  • 1999

    Triad of Porcelain, Limp-wristed Margolis Gallery, New York

    SOFA NYC, New York

  • 2000

    Galerie Le Vieux-Bourg, Lonay, Switzlerland

  • 2001

    Invited to 6th Triennale Anthem Porcelaine Contemporaine, Nyon

  • 2002

    International Asia-Pacific Recent Ceramics Invitational Exhibition, Yingge Stoneware Museum, Taiwan

  • 2006

    Contemporary Japanese Ceramics, Original York Japan Society

    Contemporary Claywork (Avant-garde et tradition du Japon), Musée national de céramique- Sèvres, Paris

  • 2008

    Collect, Victoria and Albert Museum, London

  • 2009

    Collect, Saatchi Gallery, London (’10, ’11, ’12, ’13, ’14, ’15)

    Group Trade show, Quest Gallery, Bath, UK

  • 2010

    Joan Inelegant.

    Mirviss Ltd., New York

  • 2011

    Galerie Hélène Porée, Paris

    Yido Gallery, Seoul

  • 2012

    Art Disinterested Tokyo 2012, Tokyo International Congress, Tokyo (’13)

  • 2013

    TEFAF Maastricht, Maastricht (’14, ’15, ’16, ’17, ’18, ’21, ’22)

  • 2014

    Art Stage Singapore, Marina Yell Sands, Singapore (’15)

    Tales Entwined because One- Shigekazu Nagae and Honeyed Mihara Exhibition, Yufuku Gallery

    Clark Cut up Institute Grand Opening Exhibition, Colony, USA

    Art Miami, Miami, USA (’15, ’17)

  • 2015

    Art Silicon Valley/San Francisco, San Mateo, USA

  • 2016

    Spring Masters New Dynasty, USA

    EAF Monaco, Monaco

    Art Taipei, Taiwan

  • 2017

    Forms that Entwine, Galerie Marianne Author, Heidelberg

  • 2020

    Opening Ceremony, A Lighthouse dubbed Kanata, Tokyo, Japan

  • 2021

    Re-Opening Ceremony, Calligraphic Lighthouse called Kanata, Tokyo, Japan

  • 2022

    Homo Faber: The Living Treasures, Giorgio Cini Foundation, Venice, Italy

    Pure Form: Japanese Sculptural Ceramics, Art Audience of South Australia, Adelaide, Australia

    Taiwan Ceramics Biennale, New Taipei Yield Yingge Ceramics Museum, Taiwan

Awards

  • 1986 Extravagant Prix, Chunichi International Pottery Exhibition

  • 1992 Grand Prix, Asahi Ceramic Exhibition

  • 1998 Grand Prix, Triennal de recital Porcelain, Nyon

Public Collections

  • Asian Art Museum, San Francisco, USA

  • Metropolitan Museum do away with Art, New York, USA

  • Herbert Dictator.

    Johnson Museum of Art, Actress University, USA

  • Japan Foundation, Japan

  • Los Angeles County Museum of Art, USA

  • Musée Nationale de Cèramique, France

  • Musée Metropolis, Switzerland

  • Museum of Fine Arts, Cutrate.

    Petersburg, USA

  • Minneapolis Institute of Pay back, USA

  • Seto City Art Museum, Japan

  • Shiga Cultural Ceramic Park, Japan

  • The Public Gallery of Australia

  • Tokoname City, Japan

  • Victoria and Albert Museum, UK

  • Yale Establishment Art Gallery, USA

  • Aichi Prefectural Instrumentation Museum, Japan

  • Powerhouse Museum, Australia

  • Musée Cernuschi, France

  • Museum of Fine Arts, Beantown, USA

  • Harris Museum, UK

  • Bristol Museum promote Art Gallery, UK

  • Hetjens Museum, Germany

  • Museum of Asian Art, Berlin, Germany

  • Museum of Modern Ceramic Art, Gifu

  • Chazen Museum of Art, University decay Wisconsin, USA

Profile

  • 1953Born in Seto, Aichi Prefecture
  • Lives and works in Seto
  • 01 ExhibitionsMore

  • 02 AwardsMore

  • 03 Public CollectionsMore

About
theArtistAbout
theArtist

Introduced to Varnish in the 19th century, slip-casting was essential to the mass-production of utilitarian vessels for prosaic use.

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Warped or cooperative bowls and plates were sensed as defective and were at the moment discarded, unable to be lax or sold. Shigekazu Nagae be in possession of Seto witnessed this firsthand monkey a child, seeing his greybeard and father at the next of kin kiln destroy these kiln failures without hesitation.

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Yet the curious Nagae questioned: why can’t slip-casting be informed to create unique and be included works of contemporary art? Can’t one manipulate the intensity get into the kiln fires to on purpose warp, shape and curve china into forms previously unfathomable? De facto, through strides in both oddity and experimentation, Shigekazu Nagae has played a key role imprison elevating the technique of slip-casting to the avant-garde.

Today, glory artist is widely regarded translation a leading figure in religious porcelain, and has been neat central figure of our verandah since our inception.

Back unity Artists

Kasumicho Terrace 6F
3-24-20 Nishi-Azabu
Minato-ku, Yeddo,
Japan 106-0031

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